Commented by: Martin Hullebroeck
2018 marks the year of the first public debates on human remains collected during the colonial (and proto-colonial) era and held in Belgian scientific institutions and museums. Here, we will examine a caricature of press cartoonist Pierre Kroll and its various references to the Belgian context, the skull of Lusinga in the Musée des Sciences naturelles (Museum of Natural Science) and the Chimù figure in the Musée royaux d’Art et d’Histoire (Royal Museums of Art and History).
OpenEdition schlägt Ihnen vor, diesen Beitrag wie folgt zu zitieren:
simonlindner (21. März 2019). 2018: Caricature of Belgian debates on colonial era and repatriation. Translocations. Ikonographie. Abgerufen am 9. Dezember 2024 von https://doi.org/10.58079/uu0v